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Micheline Steinberg Associates

Agency · United KingdomVia representation only

A London agency for writers across stage, screen, radio and animation. Recommended approaches only.

Official site ↗

The door

Via representation only

A letter of recommendation from an industry professional is required. Unsolicited material is deleted unread.

What they accept

Query letter

Submissions go by email via their submissions page ↗.

Door state checked against their official pages 25 Aug 2026.

What they're looking for

Formats
Feature, TV Pilot
Represents
Screenwriters, Playwrights, Directors
Takes approaches from
Worldwide

How to approach

The recommendation is not optional here. Their submissions page states they do not accept unsolicited submissions without a letter of recommendation from an industry professional, and that all unsolicited material is deleted unread.

Note the specific form: a letter of recommendation, not simply a name to drop. If someone credible is willing to write one, that letter is the thing that turns your approach into a considered one. They represent writers for stage, television, film, radio and animation, so the relevant industry professional could come from any of those worlds.

The PreList verdict

Who this is for: writers who can obtain a written recommendation from someone working in the industry. The breadth of their list means a theatre or radio contact counts as readily as a screen one.

Who should skip it: anyone without that letter, since their policy makes it the precondition rather than an advantage.

Dylian Salvatore, Founder of The PreList · Updated 7 Sept 2026

Frequently asked questions

Does Micheline Steinberg Associates accept unsolicited submissions?

No. Their submissions page states they do not accept unsolicited submissions without a letter of recommendation from an industry professional, and that unsolicited material is deleted unread.

Getting ready to approach Micheline Steinberg Associates?

Every door here reads to reject. The PreList gives your script a full read first: coverage across 11 metrics, formatting and completeness checks, and a rewrite room to act on the notes before anything reaches a submissions inbox.

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