Warp Films logo

Warp Films

Production company, United KingdomClosed to unsolicited work

An independent British company with a distinctive film and television slate. No unsolicited submissions.

Official site ↗

The door

Closed to unsolicited work

A single line on their site states they do not accept unsolicited submissions.

Door state checked against their official pages 25 Aug 2026.

What they're looking for

Formats
Feature, TV Pilot
Genres
Drama, Comedy
Takes approaches from
Worldwide

Distinctive British film and television with a strong northern and independent identity. Read from their published slate rather than a stated brief.

Read from their recent slate, not stated by them.

How to approach

Their site carries one sentence on the subject and it is a no: they do not accept unsolicited submissions. There is no submissions page and no stated exception for treatments, pitches or shorts, so there is no narrower version of the approach worth trying.

Warp have a long record of working with new voices, but those relationships have generally started through short films, festivals, funded schemes and agents rather than through direct contact.

The PreList verdict

Who this is for: writers and directors arriving with a body of work, a producer attached, or an agent. The company's history suggests a genuine openness to new talent that simply does not run through the inbox.

Worth noting for accuracy: their statement is short and does not use the word script, so it is broader rather than narrower. It rules out submissions generally.

Dylian Salvatore, Founder of The PreList. Updated 19 Oct 2026

Frequently asked questions

Does Warp Films accept unsolicited scripts?

No. Their site states plainly that they do not accept unsolicited submissions.

Getting ready to approach Warp Films?

Every door here reads to reject. The PreList gives your script a full read first: coverage across 11 metrics, formatting and completeness checks, and a rewrite room to act on the notes before anything reaches a submissions inbox.

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