Sixteen Films
Production company · United KingdomClosed to unsolicited work
Ken Loach's production company, behind My Name is Joe, Sweet Sixteen and The Wind that Shakes the Barley. Not seeking new projects.
The door
Closed to unsolicited work
They say they are not seeking new projects and do not have the capacity to accept or comment on unsolicited scripts.
Door state checked against their official pages 12 Sept 2026.
What they're looking for
- Formats
- Feature
- Genres
- Drama
- Takes approaches from
- Worldwide
Socially and politically engaged British feature drama, built around Ken Loach and his long-standing collaborators. Read from their own description and slate rather than a stated brief.
Read from their recent slate, not stated by them.
How to approach
Their contact page is unusually direct. They are not seeking new projects, they are committed to other material for the foreseeable future, and they cannot accept or comment on unsolicited scripts, books or DVDs. They also describe themselves as a team of five with no plans to grow.
No agent route is named, and the reason they give is capacity rather than process. That closure is about how much they can take on, not about who sends the script.
The PreList verdict
Who this is for: almost nobody pitching cold. Sixteen Films exists to make one filmmaking team's work, and they say plainly they have no room for anything else.
Who should skip it: every writer looking for a producer. If your script lives in the same social-realist territory, that tells you something useful about the market, but take it to a company that is actively developing new voices.
Dylian Salvatore, Founder of The PreList · Updated 21 Sept 2026
Frequently asked questions
Does Sixteen Films accept unsolicited scripts?
No. They say they are not seeking new projects and do not have the capacity to accept or comment on unsolicited scripts, books or DVDs.
Getting ready to approach Sixteen Films?
Every door here reads to reject. The PreList gives your script a full read first: coverage across 11 metrics, formatting and completeness checks, and a rewrite room to act on the notes before anything reaches a submissions inbox.
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