The PreList
Roughcut TV logo

Roughcut TV

Production company · United KingdomVia representation only

A British comedy producer. Agent submissions only, with schemes for new writers announced separately.

Official site ↗

The door

Via representation only

Agent submissions only, but they say they often share opportunities for new writers and run occasional schemes.

Door state checked against their official pages 25 Aug 2026.

What they're looking for

Formats
TV Pilot
Genres
Comedy
Takes approaches from
Worldwide

British television comedy. Read from their published slate rather than a stated brief.

Read from their recent slate, not stated by them.

How to approach

Their contact page states they currently accept script submissions only through a recognised agent, then does something most companies do not: it asks you to check their social media, where they often share opportunities for new writers, and to watch their site for upcoming schemes.

So the standing door is agented, and the occasional door is announced elsewhere. For an unrepresented comedy writer the useful action is following the accounts rather than sending a script that will not be read.

The PreList verdict

Who this is for: represented comedy writers today, and unrepresented ones later. The company actively signposts openings for new writers, which is rarer than it should be.

Who should skip it: anyone sending a cold script now. The route they describe is to wait for a scheme, and they have told you where those get announced.

Dylian Salvatore, Founder of The PreList · Updated 7 Sept 2026

Frequently asked questions

Does Roughcut TV accept unsolicited scripts?

No. They state they currently accept script submissions only through a recognised agent.

Is there a route for new writers?

They ask you to check their social media, where they say they often share opportunities for new writers, and to watch their website for upcoming schemes.

Getting ready to approach Roughcut TV?

Every door here reads to reject. The PreList gives your script a full read first: coverage across 11 metrics, formatting and completeness checks, and a rewrite room to act on the notes before anything reaches a submissions inbox.

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